I'm so excited about this book. I read an early version several years ago and LOVED it. LOVED it. Stephen Blackmoore has voice. He has darkness. He has humor. And he has heart.
And to give you an idea of Stephen's voice, here's a little excerpt from his short story, World's Greatest Dad, taken from the Deadly Treats Halloween anthology. Below that, some early reviews of City of the Lost (release date January 3).
***
By
the time Franklin Delacorte wakes up, he's been dead six hours.
He's
confused, disoriented. Wondering
why he's naked and surrounded by multi-colored candles in the middle of a
crypt.
He
sits up, wobbles a bit. Steadies
himself on the top of the stone sarcophagus he's been lying on. Yellow light gutters through the room,
throwing scattered shadows along the stone wall.
The
candles are a little unnerving.
Scented. Vanilla, spice,
potpourri. It smells like his
grandmother's house.
"Dude,"
someone says behind him. "You
so have to see this."
Franklin
looks to the door at a vaguely familiar teenager. Can't quite place him.
Pimples, greasy hair, wearing an old army jacket. A cigarette dangles on the kid's bottom
lip, his mouth hanging open. After
a moment the cigarette falls to the floor.
and a little later....
Franklin
sits in the back of Billy's busted up Cougar, the body bag from the morgue
wrapped around his waist. The
Cougar would be a classic car if it wasn't mostly rust with an engine that
sounds like a wood chipper. Billy
keeps working on it, but it never seems to get any better.
"This
is what I get for busting my butt to keep you boys out of trouble. Didn't you learn a thing in Sunday
school? Like don't play with the
forces of the devil?"
"Jeez,
dad, we said we were sorry," Jake says.
Franklin's
a little worried. He's seen
movies. He knows how this sort of
thing turns out. "I don't
even want to know how you did it, but I swear if I start gnawing on brains I'm
gonna start with yours."
World's Greatest Dad, Stephen Blackmoore
***
Praise for City of the Lost:
Review
"The gritty streets of CITY OF THE LOST are filled with snappy dialog, and fascinating characters, as well as a rollercoaster of a plot that doesn't slow down from beginning to end. This is the zombie crime novel we didn't know we were all waiting for."
- Seanan McGuire, author of DISCOUNT ARMAGEDDON
"CITY OF THE LOST is the best kind of paranormal noir: gritty, breakneck- paced, and impossible to put down. Joe Sunday is a new antihero to watch, and the next installment can't come soon enough."
- Caitlin Kittredge, author of THE IRON THORN
"Bruja, demons, bloodsuckers, the living dead and bucketloads of bloody magic - you'll find all of those in CITY OF THE LOST, but the real magic is how Blackmoore deftly breathes secret supernatural life into the City of Angels. This is an auspicious debut that's at turns violent, hilarious, and tragic. Can't wait make a return trip to Blackmoore's voodoo version of L.A."
- Chuck Wendig, author of BLACKBIRDS
"For a debut author, Stephen Blackmoore knows perfectly well how to snatch up his readers and barrel away with them from page one. In Joe Sunday, he's created the perfect hard-boiled anti-hero - an inexorable protagonist who's short on tongue-wagging and long on visceral brutality, yet is totally sympathetic due to his singular narrative voice. Oh, yeah. He's also dead. CITY OF THE LOST is one hell of a fast and thoroughly enjoyable ride. The perfect book for fans of crime noir, urban fantasy, and horror. One of my favorite reads of the year."
- John Hornor Jacobs, author of SOUTHERN GODS
"The funhouse reflection of L.A. Blackmoore conjures is at once vibrant, seedy, and mysterious - streets so mean, they feel as though plucked straight from Chandler's DT nightmares. CITY OF THE LOST effortlessly blends the grit with the fantastical, and paints a world in which magic is to be feared - but not nearly so much as the people behind it."
- Chris F. Holm, author of DEAD HARVEST
- Seanan McGuire, author of DISCOUNT ARMAGEDDON
"CITY OF THE LOST is the best kind of paranormal noir: gritty, breakneck- paced, and impossible to put down. Joe Sunday is a new antihero to watch, and the next installment can't come soon enough."
- Caitlin Kittredge, author of THE IRON THORN
"Bruja, demons, bloodsuckers, the living dead and bucketloads of bloody magic - you'll find all of those in CITY OF THE LOST, but the real magic is how Blackmoore deftly breathes secret supernatural life into the City of Angels. This is an auspicious debut that's at turns violent, hilarious, and tragic. Can't wait make a return trip to Blackmoore's voodoo version of L.A."
- Chuck Wendig, author of BLACKBIRDS
"For a debut author, Stephen Blackmoore knows perfectly well how to snatch up his readers and barrel away with them from page one. In Joe Sunday, he's created the perfect hard-boiled anti-hero - an inexorable protagonist who's short on tongue-wagging and long on visceral brutality, yet is totally sympathetic due to his singular narrative voice. Oh, yeah. He's also dead. CITY OF THE LOST is one hell of a fast and thoroughly enjoyable ride. The perfect book for fans of crime noir, urban fantasy, and horror. One of my favorite reads of the year."
- John Hornor Jacobs, author of SOUTHERN GODS
"The funhouse reflection of L.A. Blackmoore conjures is at once vibrant, seedy, and mysterious - streets so mean, they feel as though plucked straight from Chandler's DT nightmares. CITY OF THE LOST effortlessly blends the grit with the fantastical, and paints a world in which magic is to be feared - but not nearly so much as the people behind it."
- Chris F. Holm, author of DEAD HARVEST
