ABOUT ANNE FRASIER
Anne Frasier (a.k.a. Theresa Weir) is a New York Times and USA Today bestselling and award-winning author of thirty books. Her memoir, The Orchard, was an Oprah Magazine Fall Pick, Number Two on the October Indie Next List, a B+ featured title in Entertainment Weekly, a One Book One Community Read, Target Book Club Pick, and Books-A-Million Book Club Pick.
Monday, August 30, 2010
I'm putting together some promo stuff for Killer Cocktails, a party that kicks off the Midwest Bookseller Association trade show. Too early to have a cover for the Halloween anthology, but I'm trying to come up with something that would work as a temporary cover.
Saturday, August 21, 2010
Since then, I've written about eight short stories, and with each one I think I get a little closer to getting it right.
I don't know the specific rules for short stories other than a length of 1000 - 3000 words, but I do know what I like.
The circle. In my mind, the perfect short story looks like a circle. It circles back to the beginning. Most of my stories don't circle back, but I'm working on it.
A complete story. Unlike flash fiction, I think the best short stories feel complete. Even one thousand words. I want to feel that it's a whole story, beginning, middle, end. This is another thing I'm working on, because mine sometimes feel like a slice of life. A little window. And that can be wonderful too, but not as wonderful as the complete story.
Surprise and delight. I think a really good short story ends with a bang. This can be achieved with a twist, a revelation, humor, emotion. Close on the highest note. Again, I may have achieved this in a couple of my stories, but not all of them.
I'm sure there are guidelines for short-story writing, but I've never read any. Maybe I should. Or not. Any advice for writing short stories?
Monday, August 16, 2010
I wanted to attend the limited showing in Minneapolis, but couldn't make it. I vowed to rent it when it became available on Netflix, then promptly forgot it existed. So the other day I was going through indie films. What's this? It sounds intriguing. Oh, wait! I wanted to see that a few years ago. I think some of my poor memory can be explained by the totally forgettable title. One of those titles that leaves no imprint on your brain, so you can't even recall it the next day. But anyway, title aside, a lovely film. Gorgeous film, gorgeous cinematography with music that was perfect. Perfectly cast. Not a lot of plot, but that didn't matter. Too much plot would have gotten in the way. I loved this so much that I plan to rent it AGAIN. Definitely the best movie I've seen in quite a long time. But I do have a soft spot for distilled rural American stories set in the 1900s. And it also echoes my memoir, a familiar story of the land, the passage of time, and two people who hardly know each other. I think the last indie I was this passionate about was Wisconsin Death Trip, also a visual delight.
Saturday, August 7, 2010
Setting: rural farm
Main characters: female who’d moved away, became an investigative reporter, had a baby, got divorced, developed cancer. Story opens with her in remission, returning to the farming community to rest. She ends up attending funeral of old male friend whose father just died. The male friend draws the wrath of the community because of his stand against pesticides. The two join forces to expose some dirty doings, thus endangering their lives. Murder! Love! A cute toddler! Danger! And more!
My agent turned it down, and I was devastated. Just stunned and shocked, my spirit crushed. Because the story had meant so much to me, and had come from my heart and my life. Fiction, but I was drawing from everything around me. That was the first time my agent flat-out refused to submit. He suggested I work on something lighter. So I put together a proposal for Cool Shade, which is kind of a dark comedy. This was my option material, and the publisher turned it down. They said they were looking for something darker and more mature from me, maybe a story of a divorced woman facing some kind of hardship. Hmm. Sounded a bit familiar, but with the rejection of the option material, the relationship with that publisher was over.
And this is the thing.
I’ve moved several times since writing the agent-rejected proposal, and in later years I’ve come across that proposal while packing. And every time I’m struck by how good it is. And I came to finally understand that it was by far the best thing I’d written during that period of my career, but it took years for me to be able to see it for more than a failed piece of shit.
So when I turned in The Orchard and my agent said it didn’t work for him and it would never work for him, I remembered that other story, a story that was similar in tone, the one I later realized was good. That knowledge led to my decision to move on and try to find another agent. Because I knew we’d made a mistake fifteen years earlier. I knew he could be right this time, but I couldn’t take the chance.
I’d been with my agent for twenty years. He’s a fantastic agent and he made a lot of really good moves for me, so I was out of my mind with the thought of having to leave him. And after leaving him, I made a poor decision, but it was brief and I now have a wonderful agent who is a treasure. OMG. So amazing. But the problem is, you just don’t know until you are in the relationship. You just don’t know. And I keep thinking that if I hadn’t had that earlier disappointment accompanied by the later revelation, I probably wouldn’t have moved on and The Orchard would just be another manuscript to come upon every time I pack and unpack.
I don’t know why I’m rambling about this. Just something that’s been on my mind. I guess it underscores just how without sense and how almost chaotic this business is. How even some of the sharpest people aren’t right all of the time.
Sunday, August 1, 2010
So anyway, to get to the point, and I do have one, I've really enjoyed working with LK Rigel on a couple of projects. For several reasons, one being that she's a great writer and a joy to work with. (Linda is a contributor to the Halloween anthology coming out September, 2011). Another thing -- she sends me about twenty pages at a time. The magic number for me! I love doing a content edit on these small sections. I'm a sprinter.
You can find the first two chapters of Space Junque on Smashwords. Free! Check it out!